Come Ye Who Love: Melody for Soprano, Horn and Piano Trio (Full Score, Horn Part, Soprano Part)

Op. 43a : 1 score + 1 part (ii + 19 pages) ; includes parts for Horn and Soprano. Setting to Music of a Collage of Verses by Transcendentalist Poets. Commissioned by Michigan State University College of Music.https://scholarworks.wmich.edu/emmanuel-dubois-compositions/1033/thumbnail.jp

The Truth: Melody for Soprano and Piano

Op. 46 : 1 score (ii + 6 pages) ; includes poem The Truth by E.M. Dubois (August 2015)https://scholarworks.wmich.edu/emmanuel-dubois-compositions/1038/thumbnail.jp

Of Barbed Wire and Red Roses--II: Suite for Large Brass Ensemble and Timpani (Full Score)

Opus 1b: 1 score (vi + 37 pages) ; includes acknowledgements, foreword The suite Of Barbed Wire and Red Roses—II celebrates the triumph of understanding over hatred, of peace over war. The thirteen brass and timpani are grouped in choirs by movement: Fughetta for Timpani Fanfare for Four Trumpets in B Flat, Three Tenor Trombones and Bass Trombone Interlude for Four Horns in F and Tuba Of Barbed Wire and Red Roses for Thirteen Brass and Timpanihttps://scholarworks.wmich.edu/emmanuel-dubois-compositions/1000/thumbnail.jp

Morgen : Melody for Soprano and Piano

Op. 48 : 1 score (ii + 3 pages) ; includes the poem Morgen by John Henry MacKay, in German.https://scholarworks.wmich.edu/emmanuel-dubois-compositions/1039/thumbnail.jp

Юлия / Yulia : Lyrical Images for Soprano and String Quartet (Score and Reduction)

Op. 45 : 1 score + 3 parts (ii + 182 pages) ; includes full score ; parts (rehearsal practice score, extraction) for Soprano and Violin I ; Violin II with Soprano ; Violoncello with Soprano. Movements: As he whispers Happiness Hold me so tight! To sweeten our lips Those were happy times Yulia Woman\u27s first true lovehttps://scholarworks.wmich.edu/emmanuel-dubois-compositions/1037/thumbnail.jp

Winter Wood: Melodies for Soprano and Harp

Op. 49 : 1 score (ix + 26 pages) ; includes three Russian poems by I. Bunin, F. Tyutchev, Y. Petrachuk, poem translations, and composer\u27s introduction. Russian writers are known for their beauty and severity, and their celebration in poetry, literature, music and films is legendary. The beautiful legend of the Snow-maiden - Snegurochka - sublimely put in opera by Rimsky-Korsakov, evokes the renewal of life in springtime and the end of life in winter without violence, without sense of loss. It is quite remarkable in comparison with the thirst of violence in so much of the world. It is this consideration and Yulia\u27s extraordinary soprano voice that decided me to write Winter Wood Op. 49, a song cycle for soprano and harp. - from the introduction Movements: The Blizzard Winter Wood Song of Snow-maidenhttps://scholarworks.wmich.edu/emmanuel-dubois-compositions/1040/thumbnail.jp

Happiness: Three Voice Duets for Soprano and Mezzo-Soprano and Piano

Op. 30 : 1 score (v + 33 pages ) ; includes table of contents and poem. Composed for Happiness a poem by Henry David Thoreau and a collage of verses by John Warner Barber, William Ellery Channing and John Donne as quoted by Thoreau in Walden. Movements: Happiness To Sweeten Our Lips Come Ye Who Lovehttps://scholarworks.wmich.edu/emmanuel-dubois-compositions/1020/thumbnail.jp

Of Barbed Wire and Red Roses--II: Suite for Large Brass Ensemble and Timpani (Parts)

Opus 1b: 14 parts (69 pages) ; Parts for Timpani; Trumpet I - IV; Horn I - IV; t-Trombone I - III; b-Trombone; Tuba The suite Of Barbed Wire and Red Roses—II celebrates the triumph of understanding over hatred, of peace over war. The thirteen brass and timpani are grouped in choirs by movement: Fughetta for Timpani Fanfare for Four Trumpets in B Flat, Three Tenor Trombones and Bass Trombone Interlude for Four Horns in F and Tuba Of Barbed Wire and Red Roses for Thirteen Brass and Timpanihttps://scholarworks.wmich.edu/emmanuel-dubois-compositions/1001/thumbnail.jp

Юлия / Yulia : Lyrical Images for Soprano and String Quartet (Reduction)

Op. 45 : 2 parts (vi + 46 pages) ; includes table of contents, pencil drawing of Ballerina by E. M. Dubois (1982), foreword, addendum to the foreword, text of lyrics and poems ; parts for soprano and piano. As he whispers Happiness Hold me so tight! To sweeten our lips Those were happy times Yulia Woman\u27s first true lovehttps://scholarworks.wmich.edu/emmanuel-dubois-compositions/1035/thumbnail.jp

The Mozart Conversation or The Aria of Nannerl Mozart: Drama in Three Acts and Two Tableaux

1 play (v + 66 pages) ; includes Synopsis, Cast of characters, Setting, Costumes, Props The full-length historic drama examines the impact of emerging feminism in the Mozart family during the Enlightenment era. As social changes cause the rejection of sexism, Nannerl, Mozart\u27s sister disrupts male ordained traditions as she affirms her genius as a musician. The new social trends disrupt the affectionate relationship with her brother Wolfgang, who is psychologically exhausted by the stress to perform. The parents, Leopold and Anna Maria, invoke the respect of old traditions to exploit financially the genius of their son and to minimize his sister. After the parents\u27 death Wolfgang and Nannerl settle their differences through the joint creation of extraordinary music works. Long after Wolfgang\u27s death, his widow, Constanze, reveals to Nannerl that old family letters demonstrate that prejudices held against her as a woman, were meant to hold her back and to promote her brother. By so doing, they created doubt in Wolfgang\u27s mind about his self worth and caused his nervous breakdown.https://scholarworks.wmich.edu/emmanuel-dubois-compositions/1041/thumbnail.jp